This second postludio acts as a variation or extension of the thematic ideas found in the first. It is distinct for its focus on delicate, lingering chord voicings and minimalist development.
At Henle 5 this is a late-intermediate piece — technically substantial, with musical demands to match. The main demands: a true singing tone, with the melody floating above the accompaniment; careful pedaling — clarity depends on the foot as much as the fingers; and chord voicing — bringing out one note inside a handful of others.
Achieving the correct balance between the upper melodic voice and the lower resonance is key.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Lesser-known works by the same hand, at a comparable level.
De Temporum Fine Postludio II is rated Henle level 5 of 9 — late intermediate repertoire, roughly ABRSM grades 6–7. In the RCM system it corresponds to about level 7.
You should be comfortable at Henle level 5 — meaning you can already play level 4–5 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of De Temporum Fine Postludio II lasts about 3 minutes.
De Temporum Fine Postludio II is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include De Temporum Fine Postludio by Roman Turovsky-Savchuk, "Barbaro nel Giardino" by Roman Turovsky-Savchuk, De Temporum Fine Bicinium by Roman Turovsky-Savchuk — see the full similar-pieces list on this page.