A contemporary work by Roman Turovsky-Savchuk that draws heavily on early music contrapuntal techniques. Its distinctive character stems from a synthesis of archaic forms with modern harmonic sensibilities.
At Henle 6 this is an advanced piece that assumes fluent technique and rewards mature interpretation. The main demands: independent voices that must each sing on their own line; fine finger independence within the hand; and precise articulation — the difference between crisp and blurred is the piece.
The performer must maintain clear voice leading and precise control of contrapuntal textures throughout.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Lesser-known works by the same hand, at a comparable level.
De Temporum Fine Bicinium is rated Henle level 6 of 9 — advanced repertoire, roughly ABRSM grades 7–8. In the RCM system it corresponds to about level 8.
You should be comfortable at Henle level 6 — meaning you can already play level 5–6 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of De Temporum Fine Bicinium lasts about 5 minutes.
De Temporum Fine Bicinium is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include De Temporum Fine Bicinium I by Roman Turovsky-Savchuk, De Temporum Fine Chorea XIV by Roman Turovsky-Savchuk, De Temporum Fine Postludio II by Roman Turovsky-Savchuk — see the full similar-pieces list on this page.