This work by Bachlund showcases a lighter side of modern tonal writing. It is characterized by its accessible structure and focus on singing, lyrical melodic lines.
At Henle 4 this is an intermediate piece that expects secure technique and real attention to phrasing. The main demands: a true singing tone, with the melody floating above the accompaniment; careful pedaling — clarity depends on the foot as much as the fingers; and rubato that must breathe naturally without losing the pulse.
Work on achieving a consistent tonal balance in the right hand during lyrical passages.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Lesser-known works by the same hand, at a comparable level.
Fantasia in A major is rated Henle level 4 of 9 — intermediate repertoire, roughly ABRSM grades 5–6. In the RCM system it corresponds to about level 6.
You should be comfortable at Henle level 4 — meaning you can already play level 3–4 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Fantasia in A major lasts about 4 minutes.
Fantasia in A major is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include At the Close of Day by Gary Bachlund, Fancy on Love by Gary Bachlund, Broken Smiles by Gary Bachlund — see the full similar-pieces list on this page.