This keyboard fantasy by Haltmeier reflects the common practice of the time in writing short, exploratory pieces. It is distinct for its focus on melodic clarity and clean, two-part textures.
At Henle 4 this is an intermediate piece that expects secure technique and real attention to phrasing. The main demands: independent voices that must each sing on their own line; ornaments that need to sound effortless, not squeezed in; and precise articulation — the difference between crisp and blurred is the piece.
The difficulty lies in achieving a seamless, elegant flow between phrases while executing historically informed ornaments.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Fantasia fürs clavier is rated Henle level 4 of 9 — intermediate repertoire, roughly ABRSM grades 5–6. In the RCM system it corresponds to about level 6.
You should be comfortable at Henle level 4 — meaning you can already play level 3–4 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Fantasia fürs clavier lasts about 4 minutes.
Fantasia fürs clavier is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include 12 Variations in B-flat major by Wolfgang Amadeus Mozart, Am spinett by Christian Sinding, Ciacona in F major by Johann Pachelbel — see the full similar-pieces list on this page.