A duplicate of the previous entry, this piece explores the evocative barcarolle form as interpreted by the mid-19th century salon style. Its charm lies in the marriage of the rolling 6/8 meter with elegant operatic lyricism.
At Henle 6 this is an advanced piece that assumes fluent technique and rewards mature interpretation. The main demands: a true singing tone, with the melody floating above the accompaniment; continuous sixteenth-note figuration that must ripple, not chatter; and sweeping arpeggio figures that must stay smooth across positions.
Beyond that, expect rubato that must breathe naturally without losing the pulse.
Balance the left-hand accompaniment carefully to avoid obscuring the cantabile lines.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Lesser-known works by the same hand, at a comparable level.
Fantaisie sur 'La barcarolle' (Auber) Op.176 is rated Henle level 6 of 9 — advanced repertoire, roughly ABRSM grades 7–8. In the RCM system it corresponds to about level 8.
You should be comfortable at Henle level 6 — meaning you can already play level 5–6 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Fantaisie sur 'La barcarolle' (Auber) Op.176 lasts about 7 minutes.
Fantaisie sur 'La barcarolle' (Auber) Op.176 is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include Fantasia No.10 'Sur un air irlandais' by Friedrich Wilhelm Kalkbrenner, Fantaisie pour le Piano sur le célèbre air Auld Robin Gray by Friedrich Wilhelm Kalkbrenner, Fantaisie sur 'La barcarolle' by Friedrich Wilhelm Kalkbrenner — see the full similar-pieces list on this page.