This concert fantasy on themes from Bellini's Belisario is a representative work of Goria's prolific output for the piano. It explores the operatic drama through characteristic technical flourishes.
At Henle 7 this is a late-advanced work — the technical demands are serious and sustained. The main demands: fast passage work that stays light and even at tempo; sweeping arpeggio figures that must stay smooth across positions; and a true singing tone, with the melody floating above the accompaniment.
Beyond that, expect ornaments that need to sound effortless, not squeezed in.
At roughly 8 minutes, stamina and memory become part of the challenge — plan practice in sections.
The primary challenge lies in the rapid passage-work that necessitates precise, even finger control.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Lesser-known works by the same hand, at a comparable level.
Fantaisie de concert sur Belisario (Op.27) is rated Henle level 7 of 9 — late advanced repertoire, roughly ABRSM grade 8 and above. In the RCM system it corresponds to about level 10.
You should be comfortable at Henle level 7 — meaning you can already play level 6–7 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Fantaisie de concert sur Belisario (Op.27) lasts about 8 minutes.
Fantaisie de concert sur Belisario (Op.27) is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include Capriccio de concert by Alexandre Édouard Goria, Etude de concert No.1 by Alexandre Édouard Goria, Etude de concert by Alexandre Édouard Goria — see the full similar-pieces list on this page.