A decorative fantasia on themes from Flotow's opera Martha, designed to showcase the technical prowess of the amateur pianist. It features a blend of bel canto singing lines supported by elaborate pianistic figurations.
At Henle 6 this is an advanced piece that assumes fluent technique and rewards mature interpretation. The main demands: a true singing tone, with the melody floating above the accompaniment; sweeping arpeggio figures that must stay smooth across positions; and ornaments that need to sound effortless, not squeezed in.
Beyond that, expect fast passage work that stays light and even at tempo, and chord voicing — bringing out one note inside a handful of others.
Students must focus on balancing the cantabile melody against the light, rapid arpeggios.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Lesser-known works by the same hand, at a comparable level.
Fantaisie Brillante sur 'Martha' (Op.162) is rated Henle level 6 of 9 — advanced repertoire, roughly ABRSM grades 7–8. In the RCM system it corresponds to about level 8.
You should be comfortable at Henle level 6 — meaning you can already play level 5–6 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Fantaisie Brillante sur 'Martha' (Op.162) lasts about 7 minutes.
Fantaisie Brillante sur 'Martha' (Op.162) is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include Fantaisie brillante sur 'La sonnambula' by Ignace Xavier Joseph Leybach, Fantaisie Brilliante on Bellini's 'La Sonnambula' by Ignace Xavier Joseph Leybach, Fantaisie Brillante sur 'La Traviata' by Ignace Xavier Joseph Leybach — see the full similar-pieces list on this page.