A delicate character piece, 'Faire trempette' utilizes fluid sixteenth-note patterns to evoke a sense of playfulness. It demonstrates the lighter, idiomatic style of late 19th-century French salon repertoire.
At Henle 3 this is a late-beginner piece — comfortable hands-together playing is assumed, and musical shaping starts to matter. The main demands: continuous sixteenth-note figuration that must ripple, not chatter; precise articulation — the difference between crisp and blurred is the piece; and a true singing tone, with the melody floating above the accompaniment.
Pay close attention to the fluidity of the sixteenth-note passages.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Faire trempette (Op.2 No.6) is rated Henle level 3 of 9 — late beginner repertoire, roughly ABRSM grades 4–5. In the RCM system it corresponds to about level 4.
You should be comfortable at Henle level 3 — meaning you can already play level 2–3 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Faire trempette (Op.2 No.6) lasts about 2 minutes.
Faire trempette (Op.2 No.6) is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include Espiéglerie by François-Xavier Jean, El Gato by Mario Rodríguez Arenas, Bergerie by Franz Hitz — see the full similar-pieces list on this page.