This piece is a characteristic Brazilian salon work from the early 20th century. It blends European romantic influences with the syncopated charm of local popular styles.
At Henle 4 this is an intermediate piece that expects secure technique and real attention to phrasing. The main demands: rubato that must breathe naturally without losing the pulse; a waltz lilt that needs charm and a flexible left hand; and precise articulation — the difference between crisp and blurred is the piece.
Mastering the subtle syncopation and the characteristic lilt of the dance rhythm is essential.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Lesser-known works by the same hand, at a comparable level.
Faceira (Op.182) is rated Henle level 4 of 9 — intermediate repertoire, roughly ABRSM grades 5–6. In the RCM system it corresponds to about level 5.
You should be comfortable at Henle level 4 — meaning you can already play level 3–4 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Faceira (Op.182) lasts about 3 minutes.
Faceira (Op.182) is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include Destemida by Aurélio Cavalcanti, Beijos by Aurélio Cavalcanti, Bohême by Aurélio Cavalcanti — see the full similar-pieces list on this page.