Faceira

Ormeno Gomes

RomanticObscureromanceAndante2/4~3 min

About this piece

A lyrical composition that highlights expressive phrasing and emotional depth. Its structure follows the standard romantic model of theme-based piano pieces.

What makes it challenging

At Henle 3 this is a late-beginner piece — comfortable hands-together playing is assumed, and musical shaping starts to matter. The main demands: a true singing tone, with the melody floating above the accompaniment; careful pedaling — clarity depends on the foot as much as the fingers; and rubato that must breathe naturally without losing the pulse.

Teacher notes

Develop the ability to shape long, singing phrases with varied touch.

Technical focus

cantabilepedalingrubato

Mood

nostalgicintimate

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Free sheet music on IMSLP

What to play around Faceira

Similar to Faceira

Comparable difficulty and character — good candidates for what to learn next.

Easier, same character

A level or two down with the same spirit — ideal if this piece is still out of reach.

The next step up

Where this piece's skills lead: slightly harder works making similar technical demands.

Browse all Henle level 3 pieces (Late beginner) →

Frequently asked questions

How hard is Faceira by Ormeno Gomes?

Faceira is rated Henle level 3 of 9 — late beginner repertoire, roughly ABRSM grades 4–5. In the RCM system it corresponds to about level 4.

What level do I need to play Faceira?

You should be comfortable at Henle level 3 — meaning you can already play level 2–3 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.

How long is Faceira?

A typical performance of Faceira lasts about 3 minutes.

Where can I get free sheet music for Faceira?

Faceira is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.

What pieces are similar to Faceira?

Pieces at a comparable difficulty and character include Für Elise by Ludwig van Beethoven, Prelude in E minor, No. 4 by Frédéric Chopin, As in a Rose Jar by Charles Wakefield Cadman — see the full similar-pieces list on this page.