This etude features programmatic writing intended to evoke natural imagery through an F major soundscape. It emphasizes steady rhythmic control alongside expressive phrasing.
At Henle 3 this is a late-beginner piece — comfortable hands-together playing is assumed, and musical shaping starts to matter. The main demands: a true singing tone, with the melody floating above the accompaniment; chord voicing — bringing out one note inside a handful of others; and continuous sixteenth-note figuration that must ripple, not chatter.
The primary challenge is balancing the singing melody against the flowing accompaniment texture.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Lesser-known works by the same hand, at a comparable level.
Etude No.23 in F major is rated Henle level 3 of 9 — late beginner repertoire, roughly ABRSM grades 4–5. In the RCM system it corresponds to about level 3.
You should be comfortable at Henle level 3 — meaning you can already play level 2–3 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Etude No.23 in F major lasts about 2 minutes.
Etude No.23 in F major is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include Etude No.23 in F major "Summer Sunshine through Tree Leaves" by Shuwen Zhang, Etude No.7 in A major "Pastorale" by Shuwen Zhang, Albumleaf No.2: The gentle sunset and the quiet lake could never be my possession by Shuwen Zhang — see the full similar-pieces list on this page.