Robinet was a composer associated with the lighter French keyboard style of the late 18th century. The piece features clean, clear melodic writing and minimal technical demands.
At Henle 2 this is a beginner-level piece, where steady coordination between the hands is the main hurdle. The main demands: precise articulation — the difference between crisp and blurred is the piece, and fine finger independence within the hand.
Maintain steady, rhythmic precision throughout the triple-meter dance.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Entre Paris et Saint Quentin is rated Henle level 2 of 9 — beginner repertoire, roughly ABRSM grades 2–3. In the RCM system it corresponds to about level 2.
You should be comfortable at Henle level 2 — meaning you can already play level 1–2 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Entre Paris et Saint Quentin lasts about 2 minutes.
Entre Paris et Saint Quentin is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include 18 German Dances and Esoccaises by Franz Schubert, 18 German Dances and Esoccaises, by Franz Schubert, 18 German Dances and Ecossaises by Franz Schubert — see the full similar-pieces list on this page.