This is a characteristic salon waltz by the Brazilian composer José Garcia de Christo. It features a typical light-hearted melody floating over a steady accompaniment, echoing the influence of European romantic salon music on South American composers.
At Henle 3 this is a late-beginner piece — comfortable hands-together playing is assumed, and musical shaping starts to matter. The main demands: a true singing tone, with the melody floating above the accompaniment; rubato that must breathe naturally without losing the pulse; and a waltz lilt that needs charm and a flexible left hand.
Focus on achieving a graceful, consistent waltz accompaniment while maintaining a melodic legato in the right hand.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Desfolhando rosas is rated Henle level 3 of 9 — late beginner repertoire, roughly ABRSM grades 4–5. In the RCM system it corresponds to about level 4.
You should be comfortable at Henle level 3 — meaning you can already play level 2–3 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Desfolhando rosas lasts about 3 minutes.
Desfolhando rosas is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include Beijo perfumado by José Garcia de Christo, Cubana by José Garcia de Christo, Beija-me depressa by José Garcia de Christo — see the full similar-pieces list on this page.