Demons

Matvey Bernard

RomanticObscurepreludeG minorModerato3/4~3 min

About this piece

Demons by Matvey Bernard is a sombre, lyrical character piece from the Russian school, utilizing minor key textures to convey a sense of foreboding. It focuses on melodic depth rather than virtuosic display.

What makes it challenging

At Henle 4 this is an intermediate piece that expects secure technique and real attention to phrasing. The main demands: chord voicing — bringing out one note inside a handful of others; a true singing tone, with the melody floating above the accompaniment; and rubato that must breathe naturally without losing the pulse.

Teacher notes

Focus on voicing the melody clearly above the darker, oscillating accompaniment textures.

Technical focus

voicingcantabilerubato

Mood

mysteriousmelancholic

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Free sheet music on IMSLP

What to play around Demons

Similar to Demons

Comparable difficulty and character — good candidates for what to learn next.

Easier, same character

A level or two down with the same spirit — ideal if this piece is still out of reach.

The next step up

Where this piece's skills lead: slightly harder works making similar technical demands.

Browse all Henle level 4 pieces (Intermediate) →

Frequently asked questions

How hard is Demons by Matvey Bernard?

Demons is rated Henle level 4 of 9 — intermediate repertoire, roughly ABRSM grades 5–6. In the RCM system it corresponds to about level 5.

What level do I need to play Demons?

You should be comfortable at Henle level 4 — meaning you can already play level 3–4 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.

How long is Demons?

A typical performance of Demons lasts about 3 minutes.

Where can I get free sheet music for Demons?

Demons is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.

What pieces are similar to Demons?

Pieces at a comparable difficulty and character include Gymnopédie No. 1 by Erik Satie, Gymnopédie No. 3 by Erik Satie, Cortège by Lili Boulanger — see the full similar-pieces list on this page.