Dance 18

Clark Kimberling

ModernObscuresuiteAllegretto2/4~1.5 min

About this piece

Dance 18 uses sharp, rhythmic gestures to create a sense of forward motion. It serves as an excellent study for coordinating independent patterns between the two hands.

What makes it challenging

At Henle 1 this is an early-beginner piece — the challenge is playing evenly and confidently, not the notes themselves. The main demands: precise articulation — the difference between crisp and blurred is the piece; fine finger independence within the hand; and a left hand with real melodic or rhythmic responsibility of its own.

Teacher notes

Maintain clean articulation in both hands to avoid muddying the syncopated elements.

Technical focus

articulationfinger-independenceleft-hand-independence

Mood

playfulenergetic

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Free sheet music on IMSLP

What to play around Dance 18

Similar to Dance 18

Comparable difficulty and character — good candidates for what to learn next.

The next step up

Where this piece's skills lead: slightly harder works making similar technical demands.

More Clark Kimberling, off the beaten path

Lesser-known works by the same hand, at a comparable level.

Browse all Henle level 1 pieces (Beginner) →

Frequently asked questions

How hard is Dance 18 by Clark Kimberling?

Dance 18 is rated Henle level 1 of 9 — beginner repertoire, roughly ABRSM grades 1–2. In the RCM system it corresponds to about level 2.

What level do I need to play Dance 18?

You should be comfortable at Henle level 1. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.

How long is Dance 18?

A typical performance of Dance 18 lasts about 1.5 minutes.

Where can I get free sheet music for Dance 18?

Dance 18 is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.

What pieces are similar to Dance 18?

Pieces at a comparable difficulty and character include Dance 21 by Clark Kimberling, Dance 15 by Clark Kimberling, Dance Ten by Clark Kimberling — see the full similar-pieces list on this page.