This is a variant spelling/entry for the Rebikov piece. It showcases the composer's bridge between Tchaikovsky-influenced romanticism and early 20th-century Russian modernism.
At Henle 3 this is a late-beginner piece — comfortable hands-together playing is assumed, and musical shaping starts to matter. The main demands: fine finger independence within the hand; precise articulation — the difference between crisp and blurred is the piece; and a true singing tone, with the melody floating above the accompaniment.
The primary challenge is maintaining the playful character throughout the recurring motivic figures.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Cristmass Tree is rated Henle level 3 of 9 — late beginner repertoire, roughly ABRSM grades 4–5. In the RCM system it corresponds to about level 3.
You should be comfortable at Henle level 3 — meaning you can already play level 2–3 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Cristmass Tree lasts about 2 minutes.
Cristmass Tree is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include Cristmas Tree by Vladimir Ivanovich Rebikov, Conseil inutile by Vladimir Ivanovich Rebikov, Cry Baby's Waltz by Charles Kinkel — see the full similar-pieces list on this page.