This is a minor pedagogical character piece by the late 18th-century composer Theodore Latour. It is notable for its conventional Classical-era textures and clear, symmetrical phrasing typical of early salon music.
At Henle 2 this is a beginner-level piece, where steady coordination between the hands is the main hurdle. The main demands: Alberti-bass accompaniment kept quiet and even under the melody; precise articulation — the difference between crisp and blurred is the piece; and fine finger independence within the hand.
Maintain a steady pulse while ensuring the left-hand alberti-bass accompaniment remains light and subservient to the melody.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Cory Owen is rated Henle level 2 of 9 — beginner repertoire, roughly ABRSM grades 2–3. In the RCM system it corresponds to about level 2.
You should be comfortable at Henle level 2 — meaning you can already play level 1–2 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Cory Owen lasts about 2 minutes.
Cory Owen is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include Bach-anh-114 by Christian Petzold, Country Dance by Wolfgang Amadeus Mozart, 18 German Dances and Ecossaises by Franz Schubert — see the full similar-pieces list on this page.