A late-Romantic character piece by the Brazilian composer Aurélio Cavalcanti. It follows traditional salon-music structures with an emphasis on graceful, idiomatic keyboard writing.
At Henle 4 this is an intermediate piece that expects secure technique and real attention to phrasing. The main demands: a waltz lilt that needs charm and a flexible left hand; rubato that must breathe naturally without losing the pulse; and fine finger independence within the hand.
Achieving a fluid, dance-like pulse while managing the melodic rubato is the primary challenge.
Comparable difficulty and character — good candidates for what to learn next.
A level or two down with the same spirit — ideal if this piece is still out of reach.
Where this piece's skills lead: slightly harder works making similar technical demands.
Lesser-known works by the same hand, at a comparable level.
Compassado (Op.138) is rated Henle level 4 of 9 — intermediate repertoire, roughly ABRSM grades 5–6. In the RCM system it corresponds to about level 5.
You should be comfortable at Henle level 4 — meaning you can already play level 3–4 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Compassado (Op.138) lasts about 4 minutes.
Compassado (Op.138) is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include Beijos by Aurélio Cavalcanti, Bohême by Aurélio Cavalcanti, Cahir das folhas by Aurélio Cavalcanti — see the full similar-pieces list on this page.