Cold

Miklos MartinkoOp.1 No.25

ModernObscureprelude~3 min

About this piece

A contemporary work that explores minimalist or impressionistic tonal colors. The piece is built on sustained textures that require delicate touch and control.

What makes it challenging

At Henle 4 this is an intermediate piece that expects secure technique and real attention to phrasing. The main demands: careful pedaling — clarity depends on the foot as much as the fingers, and chord voicing — bringing out one note inside a handful of others.

Teacher notes

The primary technical hurdle is managing long pedal durations to avoid blurring the harmonies.

Technical focus

pedalingvoicing

Mood

melancholicatmosphericmysterious

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Free sheet music on IMSLP

What to play around Cold

Similar to Cold

Comparable difficulty and character — good candidates for what to learn next.

Easier, same character

A level or two down with the same spirit — ideal if this piece is still out of reach.

The next step up

Where this piece's skills lead: slightly harder works making similar technical demands.

More Miklos Martinko, off the beaten path

Lesser-known works by the same hand, at a comparable level.

Browse all Henle level 4 pieces (Intermediate) →

Frequently asked questions

How hard is Cold (Op.1 No.25) by Miklos Martinko?

Cold (Op.1 No.25) is rated Henle level 4 of 9 — intermediate repertoire, roughly ABRSM grades 5–6. In the RCM system it corresponds to about level 7.

What level do I need to play Cold?

You should be comfortable at Henle level 4 — meaning you can already play level 3–4 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.

How long is Cold?

A typical performance of Cold (Op.1 No.25) lasts about 3 minutes.

Where can I get free sheet music for Cold?

Cold (Op.1 No.25) is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.

What pieces are similar to Cold?

Pieces at a comparable difficulty and character include Gymnopédie No. 1 by Erik Satie, Berceuse d'armorique by Gerard von Brucken Fock, Berceuse No.2 by Joseph Achron — see the full similar-pieces list on this page.