This piece is a characteristic character piece by the Swiss composer Bovy-Lysberg, emulating the style of the Polish mazurka. It reflects the 19th-century salon fascination with stylized folk dances.
Mastering the characteristic rhythmic lilt of the mazurka with appropriate rubato is essential for a convincing performance.
Comparable difficulty and character — good candidates for what to learn next.
Canto alla mazurka (Op.157) is rated Henle level 4 of 9 — intermediate repertoire, roughly ABRSM grades 5–6. In the RCM system it corresponds to about level 6.
You should be comfortable at Henle level 4 — meaning you can already play level 3–4 pieces cleanly. Learning it one level early is possible as a stretch piece, but more than that usually leads to months of frustration.
A typical performance of Canto alla mazurka (Op.157) lasts about 4 minutes.
Canto alla mazurka (Op.157) is available as free public-domain sheet music on IMSLP — the score is linked directly from this page.
Pieces at a comparable difficulty and character include Bergeronnette by Charles Samuel Bovy-Lysberg, Berceuse by Charles Samuel Bovy-Lysberg, Ballade et valse d'Ophélie by Charles Samuel Bovy-Lysberg — see the full similar-pieces list on this page.